scene(1)
Loc – A jungle/extor./morning. Artists – A monk and his students. Costume – Ancient dresses for the monk and his students. (A) The monk – ‘As you know my children, we live in a jungle and the wild animals are our neighbors. That is why we have to learn the book - Dhanurveda – written by the Lord Shiva him self, for our self - defense only. From this book, we can learn so many things regarding the weapons, self defense, war, the ethics of war, the duties and the right conducts of a soldier to his enemies in the battle field etc. This book can make us brave and full with ethics and heroism undoubtedly.’ (He shows a book to his students sitting in front of him). (B) Some of the students are practicing the sword war. The monk is supervising them. The monk – ‘Good. Very good! But, boys remember one thing – if your enemy is busy to fight against some one, then you can not invite him to fight against you.’ One of the students – ‘If any body does not want to fight or wants to give up, what should we do?’ The monk –‘Do not fight with him. Just let him go.’ Another student – ‘Ok. Understood.’ (C) The one of the students is trying to throw an arrow. The monk – ‘Did not you read the book of Dhanurveda properly my son? This is not the correct method of throwing an arrow!’ The student – ‘Sorry.’ (He corrects his position). The monk – ‘Now it is ok.’ Scene (2) Loc – A battle field/extor./morning. Artists – Many warriors with their weapons, chariots and their drivers, different types of animals etc. Costume – Ancient dresses for each of the warriors and the drivers of the chariots. (A) We are showing the scene of a sun rise. (B) A man is blowing a conch in the battlefield. (SOME ONE IS SAYING FROM THE BACKGROUND) – - ‘In ancient India, wars happen only on day time and with the sound of a conch etc.’ (C) (SOME ONE IS SAYING FROM THE BACKGROUND) – - There were some other ethics too. One of them was that – A horse rider could only fight with another horse rider. A charioteer with another charioteer and an elephant rider with another elephant rider only. We are showing that – a horse rider is fighting with another horse rider. A charioteer with another charioteer and an elephant rider is fighting with another elephant rider at a time in the same battlefield. (D) (SOME ONE IS SAYING FROM THE BACKGROUND) – - An ancient Indian warrior could fight with another equally powerful warrior only. (E) (SOME ONE IS SAYING FROM THE BACKGROUND) – In the book of Dhanurveda – Lord Shiva told that a real hero should not kill his sense less enemy. We are showing that, a senseless man is lying down on the field. And another person is withdrawing his weapon then. (F) (SOME ONE IS SAYING FROM THE BACKGROUND) – The Dhanurveda taught the ancient people of India to not to fight with a person, who had no weapon at all or not armed properly. A soldier (to another soldier, who has no weapons) – ‘Don’t worry. I won’t kill you. Because, you have lost all of your weapons!’ That another solider – ‘Thank you. Thank you. May God bless you.’ Scene (3) We are showing some pictures of real terrorist attack, the dead bodies of innocent people etc. (SOME ONE IS SAYING FROM THE BACKGROUND) – Those days are gone. In this modern age, majority of the people do not care about the ethics of war. They are killing the common people, innocent people, the children, the pregnant women, the old men and women, the monks, the priests, the patients, the doctors, the nurses now. They forget that Heroism and terrorism is not the same thing at all. Scene (4) We are showing some pictures of to day’s war. (SOME ONE IS SAYING FROM THE BACKGROUND) – This age is the age of the shadow war actually. The concealment and camouflage become the key words of today’s war strategy. There is no difference between a terrorist and a soldier to day. Scene (5) We are showing some pictures of to day’s training for wars. (SOME ONE IS SAYING FROM THE BACKGROUND) – People are being taught to see the enemy without being seen. To kill without being killed. ‘There is no principle in love and war’ – this is the only principle of to day’s war practically. Scene (6) (A) We are showing some pictures of the training for wars in ancient India. (SOME ONE IS SAYING FROM THE BACKGROUND) – Lord Shiva, Guru Drona, Guru Kripa gave us common weapons only. They did not want to destroy the whole world. (B) We are showing some pictures of to day’s war. (SOME ONE IS SAYING FROM THE BACKGROUND) – This age is the age of the Nuclear Bombs, Carpet Bombing. The weapons of this new age can destroy the planet Earth for several times. In fact, these weapons are killing the innocent people and the members of the animal kingdom, destroying the trees and plants, polluting the water, the air, the whole environment of the world rather. Scene (7) Loc – A jungle/extor./morning. Artists – A monk and his students. Costume – Ancient dresses for the monk and his students. The monk – ‘Take these weapons boys.’ (He distributes some weapons to his students). The students (Together) – ‘Thank you Guruji.’ The monk –‘May God bless you my children – to day and al ways. But, remember one thing.’ The students (Together) – ‘What is that Guruji?’ The monk – ‘Do not hurt the innocent people or any member of the animal kingdom boys. Do not destroy the plants and trees. Any of them is not your enemy. Do not pollute the environment. Try to maintain the purity of the air and water children for the shake of the whole world.’ The students (Together) – ‘Yes Guruji. We will remember.’ Scene (8) Loc – A jungle/extor./morning. Artists – A General (from abroad) and his soldiers. Costume – Army dresses (uniforms) for the General (from abroad) and his soldiers. The General – ‘I want the total destruction. Kill any body and every body you can. They are the citizens of the enemy country soldiers. That is why we consider all of them as our enemies. Just kill them. Yes, kill them all. Try to destroy the whole environment of the country also.’ The soldiers (Together) – ‘Right Sir.’ The General – ‘Now go and kill. Kill. Kill. Kill.’ Scene (9) We are showing some pictures of the Indian soldiers (Ancient and modern). (SOME ONE IS SAYING FROM THE BACKGROUND) – In the Indian point of view, there is no difference between a soldier and a saint indeed. Scene (10) Loc – A jungle/extor./morning. Artists – A monk and his students. Costume – Ancient dresses for the monk and his students. The students are practicing the throwing of Arrows. The monk is giving them instructions. The monk – ‘Take a deep breath.’ (The students took deep breath). The monk – ‘Now throw the arrow and excel the breath with chanting the word HUM.’ (Each of the students throws the arrow and excels the breath with chanting the word HUM). The monk – ‘Great. That’s it. Remember one thing boys – you are the saints not only soldiers.’ The students (Together) – ‘Yes Guruji. We know that.’ Scene (11) Loc – A training camp/extor./morning. Artists – An Indian Army Officer and few soldiers. Costume – Army dresses (uniforms) for the Officer and his soldiers. The soldiers are practicing the Riffle Shooting. The Officer is giving them instructions. The Officer – ‘Take a deep breath.’ (The soldiers took deep breath). The Officer – ‘Now shoot and excel the breath with chanting the word HUM.’ (Each of the soldiers shoots and excels the breath with chanting the word HUM). The Officer – ‘Good, very good. Don’t forget boys, you are more than the soldiers. You are the saviors. You are not less than the saints, boys.’ The soldiers (Together) – ‘Right Sir. We never forget.’ Scene (12) Loc – A class room/extor./morning. Artists – An Indian Army Officer and few soldiers. Costume – Army dresses (uniforms) for the Officer and his soldiers. The soldiers (Together) - ‘Good morning Sir.’ The Officer – ‘Very very good morning boys. Today I am going to tell you about something, which is really very special.’ One of the soldiers - ‘We are eager to know Sir.’ Other soldiers (Together) – ‘Yes Sir.’ The Officer – ‘First of all, you should remember that, you are the soldiers of a very civilized country. You are not the killers at all. When ever, where ever and whom ever you are fighting with, you are doing just a duty of yours for the beneficial of your country and country people only. Yes, you are the saviors of the innocent people of your country. You are in defense. You have to save the lives of the innocent country people. It is your duty. One of the soldiers - ‘Yes Sir. We are soldiers. We are saviors. We are defense persons. We are not a group of killers at all.’ Other soldiers (Together) – ‘Yes Sir.’ The Officer – ‘Exactly. You are very right. You are soldiers. You are saviors. You are defense persons. You are not a group of killers at all. And, entire of your life you should, you must and you have to understand, remember and obey the fact, that you are brave soldiers not the heartless killers.’ One of the soldiers – ‘Sir’ The Officer – ‘Yes?’ That particular soldier – ‘Sir, I have a question in my mind. Will you please give me the answer of the question?’ The Officer – ‘Yes. Definitely. Why not? What’s the question? Just tell me my boy.’ That soldier – ‘Should we consider a terrorist as a warrior Sir?’ The Officer – ‘What?’ That soldier – ‘Sir!’ The Officer – ‘What do you want to say?’ That soldier – ‘Sir!’ The Officer – ‘Please repeat your question.’ That soldier – ‘Actually Sir….’ The Officer – ‘Come on my boy. Do not hesitate. Just tell me.’ That soldier – ‘Should we consider a terrorist as a warrior Sir?’ The Officer – ‘No.’ That soldier – ‘Why?’ The Officer – ‘Tell me something.’ That soldier – ‘What Sir?’ The Officer – ‘Why do you want to consider a terrorist as a soldier?’ That soldier – ‘Because, he is also sacrificing his life.’ The Officer – ‘No. He is killing some body. He is taking revenge. He is a robot, controlling by someone’s hate rate only.’ That soldier – ‘Yes. Now I understand.’ The Officer – ‘Do you understand?’ That soldier – ‘Yes. I understand.’ The Officer – ‘Any doubt?’ That soldier – ‘No Sir.’ The Officer – ‘Are you sure?’ That soldier – ‘Yes Sir.’ The Officer – ‘Good.’ That soldier – ‘Thank you Sir.’ Scene (1)
Loc – A tennis court /extor./after noon. Artists – Two players and the viewers. Costume – formal dresses for the viewers. Uniforms for the players. (A) EK YOUNG LARKE NE SHOT DIYA. DUSRI OR KHARA HUA LARKA US SHOT KA JABAB NAHI DE PAYA. (B) PAHELA LARKA DONO HATH UPAR KARKE JIT KI KHUSHI KA IJHAR KARTA HAY. (C) VIEWERS KHARE HOKE BADHAI DETE HAIN. CAMERA EK LARKI PE AKE RUKH JATI HAY. Scene (2) Loc – A Stage of a talent hunt show/intor/evening. Artists – A girl of 8-10 years.Two Judges, some viewers/ Costume – formal dresses for the viewers and the judges. Fancy dress for the girl. (A) EK LARKI STAGE PE DANCE KARTI HAY. (B) JUDGES AUR VIEWERS KHARE HOKE BADHAI DETE HAIN. CAMERA EK LARKI (PAHELEWALI LARKI) PE AKE RUKH JATI HAY. Scene (3) Loc – A Hospital/intor/morning. Artists – A Lady Doctor, a patient, a sister. Costume – Uniform for each one. (A) PATIENT KA ECG HO RAHA HAY. LADY DOCTOR (PAHELEWALI LARKI)EK CHART DEKH RAHI HAY. (C) LADY DOCTOR CHALTE CHALTE BOL RAHI HAY - ‘SCINTIFIC RESEARCH NE YEH SABIT KIYA HAY KE RIFIND MUSTURD OIL KARONARI HEART PROBLEMS KO ROKTA HAY. BAS SHART YEH HAY KI TEL BILKUL SHUDH HONA CHAHIYE.’ Scene (4) Loc – A house/intor/evening. Artists – The Lady Doctor, oh bachhi aur oh young man. Costume – formal dresses. (A) HUM TEL KA BOTTLE DIKHATE HAIN. FIR CAMERA MOVE KAR JATI HAY EK FRYING PAN KE OUR, JAHA KUCH FRY HO RAHI HAY. AB HUM US LARKI (PAHELEWALI LARKI) KO DIKHATE HAIN. OH APNE HATH ME EK PLATE LEKE KHARI HAY. USKE PATI (OH PLAYER) AUR BACHHI (OH DANCER) PLATE SE KUCH KHUSHI KHUSHI LE RAHE HAIN. LADY BOL RAHI HAY – ‘ISI LIYE MAIN NE APNE PARIWAR KE LIYE CHUNA HAY ____ MUSTERD OIL. IT IS PURELY PURE’ Hello guest! Hearty and warm greetings to you.
This is ‘The - Group’ - the company, who makes a man, not the money only. It was 1996, when The Company ‘The - Group’ -took birth and started its very prestigious and responsible journey towards the fields of Grooming, Event Management, Film Consultancy & Production and Social services as well. The 15 years old ‘The - Group’ is a very young, promising and one of the brightest stars of the country. It loves to make itself busy with serving the very own Indian society in different ways and aspects. Two Brunch Offices - Mumbai and Kolkata - the two metro cities of our beloved motherland, which are noted and acclaimed for their elite ness, artistic views, cultural background, generous approach to the extended society and famously known as the financial capital and cultural capital of mother India. The leading company The - Group’ had established their offices in both of these cities, just to have and distribute all of these said qualities. Four Wings - ‘The - Group’ company has four Wings. The first is - ‘The - Academy’ . It is a Corporate Grooming Institute. ‘The -’ is the second. It is an Innovative Event Organization. ‘The -’ is the third and a Social Organization by nature and the last but not the least the ‘ - india Films & Finance Corporation’, which is a film Consultancy & Production House as a matter of fact. The Vision - By Corporate Grooming, Organizing Events, make Social services and contributing in the Film Industry , ‘The - Group’ goals to make a significant contribution to the golden future of beloved India actually. The Company members are just like family members. They take care of the undertaken projects as their children. They start their job from the very beginning .Nourish them top to bottom fully,completely,intensively with all their world class professional skill. The experts, the skilled specialists engage themselves with each planning, constantly. They consider their job as the worship of God indeed just to ensure the highest quality and standard of the services they provide. The Mission - The - Group (Mumbai & Kolkata) has been doing a lot of things. – In the Corporate Grooming Institute named ‘The - Academy’, the said company gives the training of manners, self presentation, interview skill, general knowledge, I q, psycho analysis and optimism to the people ( started from the students of class eleven). With the help of the event organization - ‘The -’ ‘The Man Makers Group’ arranges corporate meetings, conferences, contacts and liaise too. The. -india Films & Finance Corporation is a Film Consultancy & Production House. It contributes in the making of bollywood movies particularly. Above all, this unique company has been doing a fabulous job for the needy people of the society through the social organization called the ‘ - Smiles’. The deprived children, the street children are the parts of this society we live too. The future of our country depends on them also. ‘ - Smiles’ of ‘The - Academy’ takes care of their health and education. So, dear visitor, be the friend of the company. Walk with it with the aim of making a better India – a better world rather! (BLANK STAGE ME EK TV LAGA HUA HAY. EK REPORTER TYPE KA DRESS PAHEN KE SANDEEPJI ATE HAIN) SANDEEP - aha, aaj main bahat thak gaya hun. kyon na thora aram karlun? aha, aram farmaneka sabse achha tarika hai TV dekhna. chalo yeh om kar diya TV ko. VANDANA- Namashkar,Aaj Tak vishesh pr kabron ka silsila jari hai. Ranchi ke Radiun Road pe Sushila Niketan me MP Dheeraj Sahu ke bete Harshit ke sath Nagpur ke rahnewali arcitect Ruchi ki aaj shadi ho rahi hay. chaliye ab hum aapko us alishan mahal me leke chalte hain. Hello Hello,Sandeep, can you here me properly? SANDEEP - Yes Vandana. I can here you properly VANDANA- mujhe batao ohan keya ho raha hay? SANDEEP - just hungama. VANDANA- ha ha. SANDEEP - really. i mean it. VANDANA- kash,main onha ja ke yeh sab dekh pati. SANDEEP - toh, a jao. roka kisne hay? VANDANA- sach me a jaun? SANDEEP - han,bilkul. just come over here. VANDANA- chalo, a gayi. SANDEEP - just see, so many people are here. VANDANA- han. chalo, un bachhon se thora parichay kiya jaye. SANDEEP - yes. definately. VANDANA- bachhon, hum log TV se aye huyen hain. aap thora aapna nam aur parichay batyege plz? (EK EK KARKE NEPHEW LOG AYENGE AUR AAPNA AAPNA NAM BATAYENGE)(1) SAURAV(2) AMAN(3) RESHMI (NIECE)(4) RHEA & ARMAN(5)MAYANK (6)SHASHANK (7)SIDDHART SANDEEP - Thank you bachhon. VANDANA- Dekho, onhan keye ho raha hay. SANDEEP - i think ganesh vandana. VANDANA- chalo chalke dekhte hain. GANESH VANDANA BHAGWAN SHREE GANESH JI MAHARAJ SANDEEP - Do you know something? this house is more than 30-35 years old. VANDANA- han. main janti hun. hamare dadaji LIQOUR INDUSTRY ke jane mane hasti Raisaheb Baldeo Sahu aur hamari dadiji Sushila devi - unke jayse log ajkal kanha milte hain? SANDEEP - Dada ji was very wise and selfmade person and dadiji was a perfectenist,loving and family oriented lady. VANDANA- tumhe pata hay dadiji ke nam se hi is makan ka nam rakha gaya hay. SANDEEP - ya. i know that. VANDANA- achha,bhaiya, yeh toh socho, jab un logon ki shadi hui thi, toh kayse keya hua hoga? SANDEEP-as i know, us dasak ke samay ki us waqt ke dor me premi yugal ke milne ka andaz jara chatkila or nirala ho chuka tha. VANDANA- toh chalo,dekhate hai us samay me dilwale kese milte the kese payar hota Tha= or us payar ko we kese parwan chadhate the………..! DANCE SQ..................................................................... VANDANA- unki shadi hui thi jis dasak me, tab dilip kumar madhubala, rajkapur nargis, devanand sureiya, jese sitaron ka dor tha un kalakaron ka pahnava bol chal ke andaz logon ke dilon demag par sawar rahta tha, sundar dekhane ki chhat kise nahi hoti us waqt kesh sajja bhi sitaron ki nakal se hoti thi purush kano tak dhak kar balo ki kalam banwate the, or nav yuvtiya lambi choti me beni banati, ya phir jura banakar gajre se balo ko sajati. DANCR SQ....................................... SANDEEP - achha, Vandana bhabi, what do u think about our bare papa Mr. Shiv Prasad Sahu? VANDANA- keya kahun main unke bareme? unka toh jaise jindegi ka maksad hi yeh tha ke jitna ho sake logon ka madat kiya jaye. SANDEEP - he was a politician but stays in the grass root level. ghamand nam ki koyi chis toh un me tha hi nahi. VANDANA- Bilkul. aur oh dikhte thhe jayse Vinod Khanna ya Dharmendra. hay na? SANDEEP - yes, u r right. VANDANA- nahi ji hum right nahi, Vandana hain. hi. hi. SANDEEP - ha.ha. and his wife,our Shefali chachi. she is a sweet lady. bara papa ki kami kavi mehsus hi nahi hone diya hume. VANDANA- unki shadi hui thi 50 ke dasak me. SANDEEP- at that time dilip kumar madhubala, rajkapur nargis, devanand sureiya was the great stars in the film industry. common people immitate the dress ups,attitude etc. of these film stars in their real lives. VANDANA- us waqt kesh sajja bhi sitaron ki nakal se hoti thi purush kano tak dhak kar balo ki kalam banwate the, or nav yuvtiya lambi choti me beni banati, ya phir jura banakar gajre se balo ko sajati. DANCR SQ....................................... SANDEEP - wah. maza a gaya. it was really good. and Vandana bhabi, don’t u think that,our Uday chacha is a shy person but he is the back bone of the family. VANDANA- han, aur unki wife Aruna chachi bhi ek leader type ki hi hain. SANDEEP- yah, that is true. but have u think about their shadi ever? VANDANA - han, bilkul. us samay me jab fir se sahu pariwar ke angan me sahanayee baji thi. dor badal chuka tha. SANDEEP- the famous film stars of that time was amitabh rekha, rajesh khanna hema malini, risi kapoor sri devi. DANCE SQ.............................................. VANDANA- ab tak hum flash back me thhe. SANDEEP- but we should view the marriage of Harshit right now. look there are some yong boys and girls over here. VANDANA - oh log ek dusre ke sath nok jhonk kar rahe hain. aiye, hum lutf utha te hain. SANDEEP- this is the new age of ranveer kapoor . ketrina, shahid kapoor karina, shahrukh aisvarya. DANCE SQ......................................... SANDEEP- ohh. that was great. any ways, bhabi, do not u think that our very own Gopal chacha is just like Rajesh Khanna, no? VANDANA- han. aur, oh thore rangile type ke hain, Rajesh Khanna ke hi jayse. SANDEEP - anotherthing dear, Mala chachi unki wife, she is glamarous. and she loves roses a lot. VANDANA- par, yeh toh socho bhaiya, Gopal chacha ke jiban me mala chachi ne prabesh kayse kiya tha us 70/80 ke dashak me. SANDEEP- i think kuch is tarah. DANCE SQ.............................................. VANDANA - Nandlal chacha hamare Shashi Kapur ke jaise dikhte thhe. SANDEEP - yes. and he was a nature loving person too. VANDANA- han, ayse log duniya me bahat kam milte hain, jinhe nature se itna payar hota hay. aur Kiran chachi,oh bhi bahat achhi hain. SANDEEP- beshak. she is a spiritual lady. khash karke nandalal prasad chacha ke gujar jane ke baad toh unho ne aapna sab kuch bhagwan ko hi sonp diya hay. DANCE SQ........................................ VANDANA- aj Harshit ki shadi hay. agar Kishor chacha hote toh kitna achha hota. SANDEEP- yah. he was a bindas type of person.no? VANDANA- han. bilkul rishi kapur ke jayse. SANDEEP- and his wife, Mannu chachi is a very good homemaker. we should learn from her how to mannage a home properly. VANDANA- han,bhaiya. yeh bhi ekdam sahi kaha aapne. DANCE SQ................... SANDEEP- aur Dheeraj chacha - who is the father of Harsit - the dulha, is an MP and a well known person. he is famous for his great personality. VANDANA - Dheeraj chacha baten thora kam karte hain. par log kah te hain ke ‘humara neta kaysa ho? dhiru bhai jaysa ho.’ SANDEEP-- he is a true leader indeed. and looks like the evergreen actor Dev anand. VANDANA- han, ohi dil ko machal ne wali andaz aur kamal ki nazakat. SANDEEP- hay tauba. DANCE SQ............................ VANDANA- ab tak hum apko dikha aor shuna rahethhe kal ki baten. aiye ab firse laot ate hain is naye daur me. SANDEEP- i am talking about Sanjay bhaiya and Sarita bhabi first. bhaiya is hard working,tall, dark, handsome. bhabi is graceful and beautiful. DANCE SQ..................................... VANDANA- Amit bhaiya hain sharmile. SANDEEP- but Reshma bhabi is very social. DANCE SQ............................. VANDANA- Durgesh bhaiya hain adventurous type ke. SANDEEP- he loves the nature too. DANCE SQ................................. VANDANA-- Sandeep bhaiya ek pary man hain aur Bhabna bhabi hain trendi type ke. oh ek disigner bhi hain. DANCE SQ.................. SANDEEP- Rohit hain sporty type ke. VANDANA- aur unki patni Mohita bahat intelligent hain. oh dono ek international school chalate hain. DANCE SQ....................... SANDEEP- Rahul is a bindus guy and his lecturer wife Vandana can judge any body very easily. DANCE SQ.................................. VANDANA-- Ritesh bhaiya ko kam se bahat peyar hay aur oh bahat dariya dil type ke insan hain. SANDEEP- Neha,his wife is a very good dancer and chiarful type lady too. DANCE SQ.............................. VANDANA- humare is ghar me ek pari bhi rahti hay,jo parion ki duniya se ake hmare ghar me bas gayi aor raj karne lagi. SANDEEP- i think, u r talking about the sweet, cute Hansa only? VANDANA- han. oh Harsit ki eklouti bahen hay aur is ghar ki jan bhi. SANDEEP- she is innocent- just like a kid. she always remains in a dreamland. so we call her alis in wonderland. VANDANA- oh hay humari ankhoki rashni. DANCE SQ........................................................ VANDANA-- ab ai Harshit ki bari. oh dulha hay. aj ke is mahfil ka raja hay. SANDEEP- he is in the family business though he has a global test. VANDANA- asal me oh Austrelia me para hay na. usi ka asar hay sayed. SANDEEP- yah, exactly. and his global views will help him to go so far. VANDANA- akhir ushe is ghar ke paramparaon ko aage jo barana hay. SANDEEP- and he loves his family a lot. VANDANA- so toh hay. SANDEEP -we can see the tatoos in his body. he is very styalis. VANDANA- soch andaz sab kutch badal kar styalis ho chuke hai. balo ko rangeen kar galon me fecial karwate hai..CHEKS SHIRT ! NERO JINS ! SANDEEP - yah, in this new age, the views,news -everything has been changed. VANDANA- sab kuch badal gaya. srif na badla dil se dil ka rista. ab, Harshit aur Ruchi ko hi le li giye. SANDEEP- yah, Ruchi, the dream girl of Harsit. she is our bride and pride too. VANDANA- oh bahat peyari hay. SANDEEP- yes. she is very sweet and simple as well. VANDANA- par oh bahat parilikhi hay. SANDEEP- yah. she is an arcitect. and i am sure that she is the right choise for our family only. VANDANA- aysa lagta hay ke yeh Nagpur ke masur business man -- aur --- ki beti ab tak sitaron me bas rahi thi kanhi. SANDEEP- an d the love of Harshit brings the dream girl here from the dreamland only. kyno na ho, donon ko sat janam ka sath jo nivana hay. VANDANA- ayie, hum ab un donon ka ek jhalak didar karte hain. DONO STAGE PE ATE HAIN VANDANA- khusio ke mahafil mein hum sub nachenge aur gayangee swagat mein aap sab ke hum jordar taliya bajayange. SANDEEP- plz well come every body in the stage and just enjoy the flavour of the night. VANDANA AND SANDEEP- Goog night, Subha Ratri, Sabba Khair loc- confarance room
artists- 10 ladies - VIMLA, KAMLA, ALKA, SAVITA, NISHI, BABITA, MAMTA, SANGITA, SONAM,HEMA VIMLA - 'aj kal yeh diabetes bahat bar gaya hai'. KAMLA - 'han. aur pata hai ke jada taur diabetes ke marij yahan humare desh me hi rahte hain.' VIMLA -- 'asal me humara life style hi aisa hai ke logon ko diabetes lag jate hain.' ALKA -- 'suruad me toh pata hi nahi chalta ke diabetes hua hai. nahi toh yeh bimari itni khatarnak bhi nahi hai,ke log dar jayen.' SAVITA-- 'bat toh bilkul sahi hay. aur is mamle me mujhe kuch baten aaplogon ko btana bhi hai.' SABLOG EK SATH-- 'keya?' SAVITA-- 'aj subha ko main Dr. jain ke hospital me gayithi. ohna, unse bat karne ke baad jaise hi main chamber se nikli, mujhe kuch dikhai diya. ' SAB LOG EK SATH-- 'keya?' loc- doctor's chamber artists- SAVITA, RIMA, SUSHMA,4 boys SAVITA --(in back ground) 'chamber me kuch log baithe hue thhe. ek chair khali tha. log apas me bat chit kar rahe thhe. achanak ek larki salwar suit pahen ke ati hai aur us khali chair me dharam se baith jati hai. toh,ush ke bagal me baithi hui ek mahenge saree aur gahene paheni hui aurat yeh dekh ke ush se puchhti hay' SUSHMA- 'keya hua? tum toh jaise chair pe gir gayi. keya bat hai? tumhara tabiyat toh thikk hai na? ' RIMA(the first girl) -- 'kaise bebakufon jaise bat karti hai aap! agar mera tabiyat thikk raheta,kharab nahi hota, toh keya main yaha ati is doctor ke chamber me?' SUSHMA (the second lady)-- (thora gala saf karke) 'I am sorry. par tumhe hua keya hay beta? hum e batao gi nahi? ho sakta hay ke hum sab kisi tarah se tumhari koi madat kar sake!' (oh sab ki taraf muh mor ke dekhti hai. sab log ek dusre ke muh takte hain aur sar hilake han bolte hain.) RIMA- (aap ne sar pe hath rakh ke) mera sar aksar chakra jata hai. sayed mujhe diabetes ho gaya hai. ab main nahi bachungi. mar jaungi.'(Oh roti hai aur rumal se aapna nak pouchti hai.) SUSHMA- (haske Rima ke sar pe hath rakh ti hai) 'tumhe kisne kaha ke tumhe diabetes hai? aur agar hai bhi toh tum marogi kiyon? tumhe malum hai,huma re ghar me hum ne pura ulta case dekha hai.' RIMA- 'oh kaise? bataiye jara.' (SAVITA ake unke pas khari ho gayi). loc- a living room artists- mehenge saree me ek SHETHANI, aur SUSHMA, dhoti, kurte me ek SHETH. shetani chair pe baith ke gana ga rahi hai 'bareli ke bazar me jhumka gira re.' aur lipstick laga rahi hai. SUSHMA hath me ek chamach aur dawai ki shish le kar ati hai. SUSHMA-- 'maji, aap ke dawai lene ke time ho gaye hain. main layi hun. lijiye,pi lijiye.' SHETHANI-- 'tu lai hai dawai? la chal pila de.'(SUSHMA ushe dawai pila deti hai.) 'bahu, tu kitna khayal rakhti hai aapne shash ka. itna khayal toh koi beti bhi aapni ma ki nahi rakhti hogi. ' SUSHMA- 'aap ke shiba mere is duniya me aur hai hi kaun? aap aur babu ji toh mere liye ma,bap se bhi barkar ho.'(oh jhuk ke Shethani ke charan chuti hai.) (STRAT SONG- 'MA BAP KO NA BHULNA)' SETHANI-- 'arre, meri bachhi'.(dono gale milte hain.) (Seth kamre me dakhil hota hai aur gir ne wala hota hai.SUSHMA ushe pakar leti hai aur chair pe baitha deti hai. SUSHMA- 'keya hua babu ji?' SETH--'pata nahi bahu. achanak sar chakra gaya.' SETHANI- 'tum he bad hajmi ho gayi hai. aj tumhara rat ka khana bandh.'(phir se lipsick lagane lagti hai) SETH-- 'bahu,is se puch toh jara,mera khana iske maike se ata hai keya?' SETHANI-- 'khabardar,mere maike ke bareme kuch bhi vala bura kaha toh. mujh se bura koi nahi hoga,samajh gaye.' SETH-- 'bari ayi maike wali. han.' SUSHMA-- 'lekin babuji,aap ka sar kiyon chakraya?' SETH-- 'pata nahi bahu,keya ho gaya hai mujhe. aj kal bahat weakness feal karta hun. kabhi kabhi sar bhi chakra jata hai.' SUSHMA-- 'aap kafi duble ho bhi gaye hain babuji.' (1) JINDEGI KA KEYA HAY BHAROSA
PAL ME JO SATH CHORE! KUDRAT PE HAME NEHI ASTHA JANE KAB DIL TORE! INSAN PE HAMKO NEHI BISWAS KAB KARE BARBAD KAB KOI MUH MORE! APNE PE HAME HAY BHAROSA, HAME HAY BISWAS SATH RAHE HAMESHA, NA YE KHABI HATH CHORE. (2) SWAPNE JO DEKHEN ANKHE , KARNA HAI SAKAR CHALNA HAI AGE HARSIMA KE PAR. MILA JO HUMKO HUMARA HI SATH HOKE RAHEGA UJLA AGLA SABERA MILEGI MANJIL, MILEGA KARAR. (3) AO MILKE BADAYE KADAM AGE HI AGE CHALTE CHALE HUM. JANA HAI SAGAR PAR HUM HAI TAIAR HUM HAIN TUMHARA BAS TUMHARA HUMDUM. (4) CHAHE INSAN, CHAHE KUDRAT YA HO JINDEGI LETI HAI MUH MOR SWAPNON KI MANJIL HUME BULAEN SATHI EK HI DILKA RAH DIKHAYE SATH RAHE HAMARA HARDAM, KABHI NA JAYE CHOR. CHIN RASIYAR SHASAN SHESH HOYECHI MANUSH, CHILAM MESH CHOYALE JADUKATHI TUMI UTHLO JEGE BANGA BHUMI KI KORE JANAI TOMAY KRITOGYATA ...NIJEI TUMI DAONA BOLE O MAMATA MA MATI MANUSHER MUKTIDATA, JAGANMATA.. SHYTAN OI DUSHASANER DAL LUTECHE DU HATE JATA DUKHIR SAMBAL JAMI HARIYE KANDE CHASHI KAJ HARIYE PARABASI KRISHAK, SHRAMIK GAY GAN TUMI DILE JE JIBAN DAN PHUTUK PHUL TOMARO PATHE O MAMATA MA MATI MANUSHER MUKTIDATA, JAGANMATA.. SONAR EI BANGLA KE CHARKHAR KORECHE JOR JULUM AR ATYACHAR ANLE TUMI ALO ASHA NATUN SWAPNO VALOBASA PESHI SHAKTIR ASPHALAN BANDHA KORE KATLE BANDHAN DILE JANATAR HATE ENE KHAMOTA MA MATI MANUSHER MUKTIDATA, JAGANMATA.. STEVIA – is not the name of an ordinary leaf. It is the best and natural alternative to sugar or any kind of other chemical sweeteners of this scientific age.
It is commonly known as sweet leaf or sugar leaf and from the sunflower family(Asteraceae). It is 300 times sweeter than the sugar just because of the steviol glycoside. STEVIA has so many medically proved qualities of its own. This herbal sweetener has a zero glycemic, zero carbohydrates and zero calories as well. So it is perfect for those people, who want to reduce the extra pounds from their bodies. STEVIA has several medicinal healing properties also. It always fights against the heart disease and diabetes. It is true that sugar is cheaper than this natural sweetener, called STEVIA. But, sugar brings many health problems as the ultimate result. Where as STEVIA reduces the medical bills. To make teas, coffees and other recipes people have to use a very little amount of the STEVIA powder itself. So the use of STEVIA is beneficial from different aspects as a matter of fact. There are 240 species of STEVIA. Here are few of them only – Stevia micrantha Stevia ovata Stevia plummerae Stevia rebaudiana Stevia salicifolia Stevia serrata Stevia tunguraguensis Stevia viscida Stevia anisostemma Stevia bertholdii Stevia crenata Stevia dianthoidea Stevia enigmatica Stevia eupatoria Stevia lemmonii দেবদাস মিঠু ঘোষাল নয় ও চাতক, চোখ বিছিয়ে মরু কিশোরি খাঁটি সোনা মনটা যে তার,স্বর্ণবর্ণা নব্যনারী। আকূল ষে তার কর্ণকূহর আকূল দেহ,মন কন্দর। আকাশ ডাকে গুরুগুরু বৃষ্টি তবে হোকনা শুরু। মনের ব্যথা মরু কিশোরি বলতে পেলোনা সে মেঘরাজকে কোথায় পাবে, সুদূর প্রবাসে। ব্যস্ত তিনি,ব্যস্ত যে তাঁর কাজের সিডিউল ত্রস্ত মেয়ে ফুটবে কি তার মনের মুকুল? চোখের তিতাস শুকিয়ে ফাঁকা, শুকনো আপেল আদমেরই, ষাচ্ছে জ্বলে গা বুকের ভিতর ঝড় যে কেন বৃষ্টি এলোনা? মেঘরাজ তোর বিয়োগ ব্যথা কত সে আর সইবে? মেঘরাজ তুই পড়ে গেছিস কোনও কী দুর্দৈবে? |
AuthorNAME IS MITHU (MEANS SWEETY / PARROT). PASSED M.A. WROTE MORE THAN 70 BOOKS(ABOUT ALTERNATIVE MEDICINE ,AGRICULTURE, HISTORY, TEXT BOOK, STORY BOOK, POEMS, EPICS, ASTROLOGY, G.K. BOOK, HELP BOOK FOR HOMEMAKERS, CROSSWORD PUZZLE, RELIGION, COMPUTER, BEAUTY, BUSINESS, JOBS , MYTHS, MATHS, PSYCHOLOGY, SOCIAL PROBLEMS, HOME MAKING, COOKING, HEALTH, TRAVELLING,FUN, EDUCATION, LIMERICK ETC). WRITE DRAMAS , NOVELS, FEATURES, ARTICLES, REPORTS, REVIEWS, ADDS, BOOKLETS, ALL KINDS OF HINDI, BENGALI SONGS, POEMS, LIMERICKS, ADD ZINGLES, S 4 ADDS ETC. Archives
August 2016
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